The Intimate Touch Review
The Intimate Touch is a 2020 short film written and directed by Ariel McMillion and Michael Stoen.
Enveloped in a modern context and rife with topical discussion, The Intimate Touch is a poignant debate of both religion and philosophy wrapped in the simple veil of a meal.
The concept alone of a Muslim refugee and feminist reporter sitting down to a dinner together is one with an array of varying stories that could be told. Going further beyond that, this short film combines the micro with the macro by looking at the personal entanglement between these two characters, and how the world looks at underserved groups.
To start off the acting in this film is phenomenal. Isa Aouifia as Adnan and Anna Harling as Ingrid both show palpable skills in their onscreen presence, never letting a genuine moment pass by the audience. They bring an immediate air of gravitas and believability to their characterizations. In the same sentiment, they both take amazing turns at showcasing their commanding of the camera.
From the technical side, this film is also a standout piece. The cinematography by Sara Svardsen is gorgeous, creating a romantic tone, and creating great lighting even in a pivotal rain scene in the last act of the short. The sound design and mixing by Christian Christensen has perfect balance, with the score by Robert Lundgren carrying the film in a perfect tone during the entire runtime.
To breakdown the many important points made would be the equivalent of writing a short story, but nothing in the piece feels overstated or unwelcome. There is a great sense of balance to each discussion brought to the forefront, and many beautiful perspectives explored.
This is a film that commands your attention, and it does not punish you for doing so. It is a rewarding short film that truly and earnestly encapsulates so many questions that need to be asked more in the world today.
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